Morris Lessmore comes an alphabet tale extraordinaire! Heavy experience in numerous leadership roles, extremely patient and scrutinous with details, able to work an idea from initial concept all the way through to a finished product and used to working in a team environment with strict deadlines and multiple responsibilities.From the team who brought you The Fantastic Flying Books of Mr. Maya, Nuke, Mudbox, Arnold, V-Ray, Renderman, Unity, Photoshop, After Effects, and lots of other commonly used apps. Managed a staff of 30 Resident Assistants, organized staff meetings, coordinated people's tasks, and responded to any situations that arose on campus Remote Animator - “Rabid Rider” (short film)Īnimated multiple shots from start to finish and helped the studio finish the short on timeĮDUCATION Ringling College of Art and Design B.F.A. Have helped establish and develop the studio’s CG Department since its inception Have performed modeling, texturing, shading, rigging, animation, lighting, compositing, and vfx tasks for countless projects over the years Modeled, shaded, and set dressed environmentsĬG Generalist - Gatorade “The Boy Who Learned to Fly”, Chipotle “Scarecrow”, “The Numberlys”, “The Fantastic Flying Books of Mr. Worked with the pipeline department to create a standardized workflow for large scale environments and procedural set dressing tools
Lead Set Artist - Michelin “Total Performance” (TV spot, online campaign) Responsible for creating hero light rigs for the lighting team to utilize, along with lighting numerous shots from start to finish Senior Lighting/Compositing Artist - Dolby “Silent” (short film) Worked extensively with the directors to develop the look of the film and to achieve the artistic vision they had, while still allowing our artists to work comfortably and efficiently Responsible for overseeing and contributing to the modeling, rigging, shading, lighting, compositing, and vfx in the films Oversaw the implementation of our assets in the game engine and gave creative feedbackĬoordinated much of the communication and asset handoffs between our studio, Sony Entertainment in London, and Exient Studios in OxfordĬG Supervisor - Comfort “First Date” (TV spot), “Cask of Amontillado” (short film) Supervised and participated in the modeling, texturing, rigging, lighting, and optimization of the assets and scenes
NUMBERLYS SHORT PS3
Lead Technical Artist - “Diggs Nightcrawler” (shipped PS3 game) Led the lighting team, giving creative and technical critique to improve the final product Worked with the directors and art team to define a palette and color scriptĬoordinated with the CG Supervisor to assign lighting tasks and keep the project on schedule Lead Lighter/Compositor - Dolby “ Escape”, Radio Flyer “ Taking Flight” (short films) Moonbot Studios Various positions to fit the needs of the studio (2010-2016) Used prior start-up experience to assist smaller studios in their growth and development. When applicable took on a more influential position within the studio to help guide the project to meet the director’s needs and utilize their budget more efficiently. Provided studios with a wide array of services including Character and Prop Modeling, Rigging, Shading, Animation, Lighting, and Compositing for both film and games.
Provide experience and advice to the studio to help in its growth and progression.įREELANCE Senior 3D Artist Many Contracts at Various Studios (2017-2018) Responsible for Modeling, Rigging, Look Dev, Previs, Animation, Lighting, and Compositing for animated and live action films, as well as games and VR.Ĭreate and maintain models and materials for the “Nike by You” online customization app EXPERIENCE Hinge Studios Lead CG Artist (2018-present)
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